{"id":4086,"date":"2024-02-28T11:42:07","date_gmt":"2024-02-28T10:42:07","guid":{"rendered":"https:\/\/recherche-action.fr\/hugues-bazin\/?p=4086"},"modified":"2024-02-28T15:12:20","modified_gmt":"2024-02-28T14:12:20","slug":"le-corps-politique-de-la-danse","status":"publish","type":"post","link":"https:\/\/recherche-action.fr\/hugues-bazin\/2024\/02\/28\/le-corps-politique-de-la-danse\/","title":{"rendered":"Le corps politique de la danse"},"content":{"rendered":"\n<figure class=\"wp-block-pullquote has-medium-font-size\"><blockquote><p><strong>Conf\u00e9rence-d\u00e9bat de l\u2019<a href=\"https:\/\/sites.google.com\/site\/universitepopulairedamiens\/\" data-type=\"link\" data-id=\"https:\/\/sites.google.com\/site\/universitepopulairedamiens\/\" target=\"_blank\" rel=\"noreferrer noopener\">Universit\u00e9 populaire d\u2019Amiens<\/a> <strong> \u00e0 la <a href=\"https:\/\/www.amiens.fr\/Vivre-a-Amiens\/Culture-Patrimoine\/Etablissements-culturels\/MTA-Maison-du-Theatre-d-Amiens\" data-type=\"link\" data-id=\"https:\/\/www.amiens.fr\/Vivre-a-Amiens\/Culture-Patrimoine\/Etablissements-culturels\/MTA-Maison-du-Theatre-d-Amiens\" target=\"_blank\" rel=\"noreferrer noopener\">Maison du Th\u00e9\u00e2tre d&rsquo;Amien<\/a><\/strong><a href=\"https:\/\/www.amiens.fr\/Vivre-a-Amiens\/Culture-Patrimoine\/Etablissements-culturels\/MTA-Maison-du-Theatre-d-Amiens\" data-type=\"link\" data-id=\"https:\/\/www.amiens.fr\/Vivre-a-Amiens\/Culture-Patrimoine\/Etablissements-culturels\/MTA-Maison-du-Theatre-d-Amiens\" target=\"_blank\" rel=\"noreferrer noopener\">s<\/a><\/strong> <strong>: <\/strong><br><strong>\u00ab\u00a0Le corps de la danse comme r\u00e9sistance culturelle \u00e0 travers l&rsquo;exemple du hip-hop\u00a0\u00bb <\/strong><br><strong>avec Hugues Bazin, chercheur ind\u00e9pendant en sciences sociales<\/strong><\/p><cite>(Illustration en Une : Cie Actuel Force, Paris les Halles, 1995, Ph. Hugues bazin)<\/cite><\/blockquote><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><a href=\"https:\/\/www.editionsddb.fr\/product\/82290\/la-culture-hip-hop\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img fetchpriority=\"high\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/71xoiMpbqaL._SL1500_-681x1024.jpg\" alt=\"\" class=\"wp-image-4100\" style=\"width:281px;height:auto\" srcset=\"https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/71xoiMpbqaL._SL1500_-681x1024.jpg 681w, https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/71xoiMpbqaL._SL1500_-200x300.jpg 200w, https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/71xoiMpbqaL._SL1500_-768x1154.jpg 768w, https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/71xoiMpbqaL._SL1500_.jpg 998w\" sizes=\"(max-width: 681px) 100vw, 681px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-medium-font-size\">Il y a un impens\u00e9 du corps politique (cf. \u00e9meutes urbaines). Le corps devient politique quand sa simple pr\u00e9sence dans l\u2019espace public soul\u00e8ve question. Lieu d\u2019incorporation des dominations, si\u00e8ge de toutes les \u00e9mancipations, le corps est le premier mat\u00e9riau accessible que l\u2019on transporte partout. Avant l&rsquo;existence des mots, c&rsquo;est l&rsquo;outil d&rsquo;expression qui cr\u00e9e une nouvelle grammaire culturelle. Le corps hip-hop des ann\u00e9es 80 a mis en lumi\u00e8re une g\u00e9n\u00e9ration invisibilis\u00e9e, discrimin\u00e9e, non d\u00e9sir\u00e9e, color\u00e9e, populaire, indocile, peu argent\u00e9e, qui a fait de sa vie un style et du style un art. Cette recomposition des formes esth\u00e9tiques, car elles sont indisciplin\u00e9es, non finies et incertaines, renvoie justement \u00e0 la place d&rsquo;un \u00ab art total \u00bb et de sa signification contemporaine en tant que forum public susceptible de penser le monde autrement.<\/p>\n\n\n\n<p>\u00c0 voir \u00e9galement : \u00ab Je danserai malgr\u00e9 tout ! \u00bb, projection-d\u00e9bat d&rsquo;un film r\u00e9alis\u00e9 par Blandine DELCROIX, vendredi 29 mars \u00e0 18H30 \u00e0 la Maison du th\u00e9\u00e2tre d&rsquo;Amiens en \u00e9cho aux spectacles Nulle part est un endroit\/Un endroit partout.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img decoding=\"async\" width=\"176\" height=\"176\" src=\"https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/unnamed.jpg\" alt=\"\" class=\"wp-image-4099\" style=\"width:181px;height:auto\" srcset=\"https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/unnamed.jpg 176w, https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/unnamed-150x150.jpg 150w\" sizes=\"(max-width: 176px) 100vw, 176px\" \/><\/figure>\n<\/div>\n\n\n<p>L\u2019<a href=\"https:\/\/sites.google.com\/site\/universitepopulairedamiens\/\" data-type=\"link\" data-id=\"https:\/\/sites.google.com\/site\/universitepopulairedamiens\/\" target=\"_blank\" rel=\"noreferrer noopener\">Universit\u00e9 Populaire d\u2019Amiens<\/a> se donne pour but de favoriser des \u00e9changes de savoirs hors des cadres institutionnel ou marchand. Le souci d\u2019apporter une contribution \u00e0 l\u2019intelligibilit\u00e9 de notre pr\u00e9sent (\u00e9conomique, social, politique, culturel\u2026) oriente tout particuli\u00e8rement les th\u00e9matiques des conf\u00e9rences et projections d\u00e9bats. L&rsquo;intention qui pr\u00e9side \u00e0 ces \u00e9changes est d&rsquo;essayer de briser les cl\u00f4tures sociales, partisanes, professionnelles, afin de faire vivre \u00e0 Amiens une citoyennet\u00e9 inform\u00e9e, active, partag\u00e9e par le plus grand nombre.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mail : <a href=\"mailto:univ.pop.amiens@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>&nbsp;univ.pop.amiens@gmail.com<\/strong><\/a><\/li>\n\n\n\n<li>Facebook : <a href=\"https:\/\/www.facebook.com\/UniversitePopulaireAmiens\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>https:\/\/www.facebook.com\/UniversitePopulaireAmiens<\/strong><\/a><\/li>\n\n\n\n<li>YouTube : <a href=\"http:\/\/www.youtube.com\/UPAAmiens\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>http:\/\/www.youtube.com\/UPAAmiens<\/strong><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Conf\u00e9rence-d\u00e9bat de l\u2019Universit\u00e9 populaire d\u2019Amiens \u00e0 la Maison du Th\u00e9\u00e2tre d&rsquo;Amiens : \u00ab\u00a0Le corps de la danse comme r\u00e9sistance culturelle \u00e0 travers l&rsquo;exemple du hip-hop\u00a0\u00bb avec Hugues Bazin, chercheur ind\u00e9pendant en sciences sociales (Illustration en Une : Cie Actuel Force, Paris les Halles, 1995, Ph. Hugues bazin) Il y a un &hellip; <\/p>\n","protected":false},"author":1,"featured_media":4093,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":false,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[3],"tags":[28,29,30,39,50],"class_list":["post-4086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-intervention","tag-culture-populaire","tag-cultures-urbaines","tag-danse","tag-education-populaire","tag-hip-hop"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-content\/uploads\/sites\/2\/2024\/02\/actuel-force.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2QGRI-13U","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts\/4086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/comments?post=4086"}],"version-history":[{"count":16,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts\/4086\/revisions"}],"predecessor-version":[{"id":4125,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts\/4086\/revisions\/4125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/media\/4093"}],"wp:attachment":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/media?parent=4086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/categories?post=4086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/tags?post=4086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}