{"id":659,"date":"2014-03-11T01:42:39","date_gmt":"2014-03-11T00:42:39","guid":{"rendered":"http:\/\/recherche-action.fr\/hugues-bazin\/?p=659"},"modified":"2014-03-11T01:42:39","modified_gmt":"2014-03-11T00:42:39","slug":"arpentages-espaces-farouches","status":"publish","type":"post","link":"https:\/\/recherche-action.fr\/hugues-bazin\/2014\/03\/11\/arpentages-espaces-farouches\/","title":{"rendered":"Arpentages, Espaces farouches"},"content":{"rendered":"<p>Sans\u00a0 doute,\u00a0 peut-on\u00a0 \u00e9voquer\u00a0 ici\u00a0 un\u00a0 app\u00e9tit\u00a0 exploratoire\u00a0 que\u00a0 partagent\u00a0 tous\u00a0 les\u00a0 auteurs complices et qui r\u00e9sonne parfois avec un engagement de vie. Voil\u00e0 qui pourrait constituer un socle\u00a0 commun.\u00a0 Mouvement(s),\u00a0 migration,\u00a0 p\u00e9riple,\u00a0 pente,\u00a0 paysage,\u00a0 \u00ab tiers-espaces \u00bb\u2026\u00a0 font partie\u00a0 du\u00a0 creuset\u00a0 conceptuel\u00a0 qui\u00a0 donne\u00a0 son\u00a0 \u00e9paisseur\u00a0 \u00e0\u00a0 ces\u00a0 \u00ab arpentages \u00bb,\u00a0 qu\u2019ils\u00a0 soient physiques, g\u00e9ographiques, int\u00e9rieurs, temporels, fictionnels&#8230;<br \/>\nCette revue r\u00e9unit des contributions litt\u00e9raires aux formes diverses : po\u00e9sie, litt\u00e9rature, photographie, arts plastiques, travaux en train de se faire, pour cr\u00e9er \u00e0 travers cet espace \u00e9ditorial in\u00e9dit, un archipel sensible et esth\u00e9tique. Pour cela, elle a fait appel \u00e0 une quinzaine d\u2019auteurs (Max Alexandre &#8211; Hugues Bazin &#8211; Jean-Pierre Chambon &#8211; Yves de la Croix &#8211; Boris Duboullay &#8211; Fabien Lain\u00e9 &#8211; Michal Laznovsky &#8211; Guy Loyrion &#8211; France Mongeau &#8211; Antonio Placer &#8211; Jean Marc Porte &#8211; Dominique Sutter &#8211; Fabienne Swiatly &#8211; Andr\u00e9 Velter), chacun d\u00e9tenteur d\u2019une rubrique\/tribune qu\u2019il fait vivre librement.<\/p>\n<p>Sommaire<\/p>\n<ul>\n<li><a href=\"http:\/\/scenes.obliques.free.fr\/pdf\/edito2014.pdf\" target=\"_blank\"><strong>\u00c9dito<\/strong><\/a><strong><a href=\"https:\/\/recherche-action.fr\/hugues-bazin\/files\/2014\/03\/revue-arpetage.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright size-full wp-image-660\" alt=\"revue arpetage\" src=\"https:\/\/recherche-action.fr\/hugues-bazin\/files\/2014\/03\/revue-arpetage.jpg\" width=\"391\" height=\"598\" \/><\/a><\/strong><\/li>\n<li><strong>L\u2019esprit de la terre<\/strong> &#8211; Le peintre des cavernes, <em>Jean-Pierre Chambon &#8211; Kdmil<\/em><\/li>\n<li><strong>O\u00f9 va se poser l\u2019\u0153il ?<\/strong> &#8211; Pourquoi je fais toujours la m\u00eame photo ? <em>Fabien Lain\u00e9<\/em><\/li>\n<li><strong>PosT MorteM<\/strong> &#8211; a vacance, <em>Jean-Marc Porte<\/em><\/li>\n<li><strong>Fabrique<\/strong> &#8211; L&rsquo;apprentissage de l&rsquo;obscurit\u00e9, <em>France Mongeau<\/em><\/li>\n<li><strong>Eh quoi ?<\/strong> Cavalier, <em>Yves de la Croix &#8211; JacqueParis<\/em><\/li>\n<li><strong>Paroles pentues<\/strong> &#8211; Une ann\u00e9e avec Friedelind, <em>Michal Laznovshy<\/em><\/li>\n<li><strong>Arpentages du net<\/strong> &#8211; La belle chute, <em>Boris du Boullay<\/em><\/li>\n<li><strong>Terres farouches<\/strong> \u2013 Chronotopies, <em>Dominique Sutter<\/em><\/li>\n<li><strong>Allotropiques<\/strong> &#8211; \u00c9l\u00e9gie pour un naufrage, <em>Max Alexandre<\/em><\/li>\n<li><strong>Les chantiers du r\u00eave<\/strong> &#8211; Les chantiers du r\u00eave 1, <em>Fabienne Swiatly<\/em><\/li>\n<li><strong>Cairns<\/strong> &#8211; Fracas &#8211; Sans titre, <em>Antoine Choplin &#8211; Maram Al Masri<\/em><\/li>\n<li><strong>\u00c9crits debout<\/strong> &#8211; Sous la montagne nue, <em>Guy Loyrion<\/em><\/li>\n<li><strong>Pour une apiculture politique, accompagnement du surgissement<\/strong> &#8211; <a href=\"https:\/\/recherche-action.fr\/hugues-bazin\/2013\/10\/22\/les-arpenteurs-ouvreurs-despaces\/\" target=\"_blank\">Les arpenteurs ouvreurs d&rsquo;espaces, <em>Hugues Bazin &#8211; Na\u00efm Bornaz<\/em><\/a><\/li>\n<li><strong>Chansons indign\u00e9es<\/strong> &#8211; Chansons indign\u00e9es [extraits], <em>Antonio Placer<\/em><\/li>\n<li><strong>Loin de nos bases<\/strong> &#8211; Loin de nos bases [extraits], <em>Andr\u00e9 Velter<\/em><\/li>\n<\/ul>\n<p><em>Arpentages 2, Espaces farouches<\/em>, \u00c9diteur : la Fosse aux ours, Date de parution : 20\/02\/2014, 145 pages, 16 cm X 25 cm, ISBN : 978-2-35707-047-9, EAN : 9782357070479<br \/>\nRevue en vente aupr\u00e8s de <a href=\"http:\/\/scenes.obliques.free.fr\/?-Revue-arpentages-\" target=\"_blank\">Sc\u00e8nes obliques<\/a> et dans les librairies <a href=\"http:\/\/www.harmoniamundilivre.com\/\" target=\"_blank\">Harmonia Mundi<\/a> au prix de 15 \u20ac TTC<\/p>\n<p>L\u2019\u00e9dition, comme facteur de traces. Celles que composent les po\u00e8tes, les auteurs, les artistes passant par nos paysages. Celles que consignent les explorateurs du champ culturel et de ses versants innovants, en France ou \u00e0 l\u2019\u00e9tranger.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sans\u00a0 doute,\u00a0 peut-on\u00a0 \u00e9voquer\u00a0 ici\u00a0 un\u00a0 app\u00e9tit\u00a0 exploratoire\u00a0 que\u00a0 partagent\u00a0 tous\u00a0 les\u00a0 auteurs complices et qui r\u00e9sonne parfois avec un engagement de vie. Voil\u00e0 qui pourrait constituer un socle\u00a0 commun.\u00a0 Mouvement(s),\u00a0 migration,\u00a0 p\u00e9riple,\u00a0 pente,\u00a0 paysage,\u00a0 \u00ab tiers-espaces \u00bb\u2026\u00a0 font partie\u00a0 du\u00a0 creuset\u00a0 conceptuel\u00a0 qui\u00a0 donne\u00a0 son\u00a0 \u00e9paisseur\u00a0 \u00e0\u00a0 ces\u00a0 \u00ab arpentages &hellip; <\/p>\n","protected":false},"author":1,"featured_media":660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"h5ap_radio_sources":[],"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[2],"tags":[44,57],"class_list":["post-659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","tag-expression-artistique","tag-laboratoire-social"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2QGRI-aD","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts\/659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/comments?post=659"}],"version-history":[{"count":0,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/posts\/659\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/media?parent=659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/categories?post=659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/recherche-action.fr\/hugues-bazin\/wp-json\/wp\/v2\/tags?post=659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}